朱利安是个任职于跨国石油公司的地质学家，负责勘探油井和研究地质等事务。工作性质导致了他常年累月需要在国外度过，不能陪伴在妻儿身边。妻子玛丽对于这样的生活厌恶到了极点，即使两人并没有非常激烈的矛盾冲突，心灵的距离也开始渐行渐远。夫妻二人决定协议离婚，儿子马泰斯跟妻子生活。在朱利安一次回国的当天，接到了玛丽的电话，儿子马泰斯在夏令营失踪了。焦急的朱利安从前妻的现任丈夫那里得知，儿子可能是离家出走了，因为玛丽又怀孕了，他得不到应有的关注。但是朱利安的直觉告诉自己，儿子不可能出走，警察说很有可能是遭遇了绑架...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

暂无简介

白玫（陆小芬饰）从小被寄养在别人家中，白玫的养父把她卖到南方澳渔港的私娼寮当妓女，“十四岁就在中坜的窑子里，垫著小凳子站在门内叫阿兵哥的日子”。后来养母家境好转之后，希望白玫从良，但白玫不肯，养母骂她是烂货，白玫反讥她说：“是的，我是烂货。十四年前被你们出卖的烂货，想想看：那时候你们家里六口人的生活是怎么过的？现在是怎么过的？现在你们有房子住了，裕成毕业了，结婚了，裕福读高中，阿惠嫁了。全家吃穿那一项跟不上人家？要不是我这个烂货，你们还有今天？” 一日白玫在火车上遇到昔日的姊妹茵茵（苏明明饰），已从良的她，嫁给了体贴的少校，并育有一子鲁延。一家幸福的模样，让白玫突然也想当起母亲来。后来白玫跟一位恩客；善良纯朴的渔人阿榕（马如风饰）借种怀一子后随即离开该地。与渔人阿榕不告而别后的白玫独自回到亲生母亲故乡。 在白玫到达当地后，该村落随即开放了公地放领使村民拥有土地等等的好事，尔后当地村民都一致认为这些好事都是白玫带来的好运。正月，白玫终于要生产了，生产并不顺利，但最终医生还是用夹子将婴儿顺利产出，是一名健康的男婴。 日子一天天过，身边依偎著一个孩子的白玫也思念起个性憨厚的渔人。某日她携子搭乘火车经海岸线前往渔港，欲看看孩子的爸。搭车时，一位女士主动让位给她们母子坐，让此时的白玫感受到无比的温暖...

在船桥市郊外的蔬菜市场，蔬菜店老板春三认识了中国留学生李中山，才知道原来中国留学生的生活很辛苦，于是决定帮助他们。一开始他只是随便做点好事，后来渐渐升级，连自己的生活也牺牲掉了。学生们都非常敬仰他，叫他“日本爸爸”。但是春三不管买卖的话，老婆美智的负担就加重了，结果商店和家庭都出现了危机。“能让商店就这么垮掉么？”留学生们决定帮店里干活。春三和美智流下了感动的泪水。几年后，回到中国的李中山从北京打来一个国际电话，邀请春三和美智访问中国。 影片根据真实故事改编，温馨幽默，生动展现了日本小镇郊区的生活和小人物的喜怒哀乐，表达了中日友谊。为了让场景生动真实，导演经常设置几人在一起说话的情景，话题又往往不同，语言不通的观众或许会对字幕感到眼花缭乱。导演大林宣彦是日本80年代新电影的重要导演之一，在《电影旬报》评选的80年代十大最佳导演中与铃木清顺、黑泽明并列第七。本片获1989年《电影旬报》十佳奖第六名。

根据英国作家王尔德经典作品《温德米尔夫人的扇子》改编，上世纪20年代，《温德米尔夫人的扇子》曾被洪深改编为话剧《少奶奶的扇子》，后被搬上银幕。

电影《山子的一家》讲述了一个失去父亲 的10岁男孩（山子）用稚嫩的肩膀扛起家 庭重担，一边照顾生病的妈妈，一边刻苦 学习的感人故事。山子的妈妈是间歇性精 神病患者，爸爸在一次事故中离世，坚强 懂事的山子撑起整个家。几经周折，山子 最终以优异的成绩考取了大学。

Publicist Alyssa Banks thinks she's in a fairytale when she meets a British prince who whisks her away to Europe. However, Alyssa's dream quickly turns into a nightmare when the volatile prince refuses to let her leave his family's estate.

简介：有一天，角落小伙伴们在常去的角落咖啡厅的地下室里发现了一本旧绘本。正当他们读着绘本，机关突然启动，把他们吸进了绘本里。在绘本里的世界，他们遇见了新的小伙伴小灰鸡，小灰鸡不知道自己从哪来，也不知道自己是谁。为了帮助小灰鸡找到自己的家，角落小伙伴们开始了绘本世界里的旅程。

公主格雷西莉亚（Alexandra Carter 配音）被仙子克里斯托（Brittney Wilson 配音）施展了爱情魔咒，不可救药的迷恋上了芭比（Diana Kaarina 配音）的男友肯（艾德里安·佩特里 Adrian Petriw 配音），为了得到肯，为了拆散他和芭比，格雷西莉亚不惜绑架了他。

在一座位于城市中央的大剧院内，每个华灯初上的夜晚，剧院内便会响起《胡桃夹子》的旋律，美丽的芭蕾舞演员随着音乐翩翩起舞，曼妙多姿，倾倒众生。在剧院的最远端，小老鼠杰瑞和塔菲（Chantal Strand 配音）每日里准时观看《胡桃夹子》表演，他们欢呼喝彩，乐在其中。可是没有演出的日子如此难熬，杰瑞他们无比落寞。许是上苍知晓了他的心愿，剧院内所有的玩具突然有了生命，杰瑞和塔菲也进入了充满幻想和优美旋律的梦幻国度。剧院外面，白雪皑皑的街头巷尾，野猫之王和他的手下们正自得其乐。杰瑞和玩具们的美食盛筵引来野猫们贪婪的目光。包括汤姆在内的这群暴徒闯了进来，不仅破坏了晚宴，还抓走玩具芭蕾舞小姐。　　杰瑞与塔菲由此展开了一段奇幻大冒险…

事件の裏側を描いたストーリー。